Nathan Fillion is bright as ABC’s unique world illustrious author-turned-pseudo-cop Richard Castle. Gradual the veneer of an arrogant celebrity, who seems to have let dozens of best sellers and world acclaim go to his head, Castle is truly a kind-hearted man and a compassionate father. Besides writing, his current hobby seems to be irritating Kate Beckett (Stana Katic), the NYPD detective who was in charge of a investigating a string of copy-cat murders modeled after Castle’s hold kill mystery books. Since he’s killed off the main character of his last series, Castle needs novel inspiration for his next position of novels, and he finds his muse with the charming but difficult-to-crack detective. The chemistry between Fillion and Katic is wonderful, leaving the audience with more to follow than unprejudiced the destroy cases. Unlike most criminal investigation shows, Castle has a heavy focus on humor and the strong development of its characters and their relationships. Not quite a drama and not quite a comedy, this primetime series has elements that appeal to any sensibility. The curved assassinate storylines will maintain you guessing for the corpulent hour until the conclusion you never expected.

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Bonus material for the DVD includes slack the scenes interviews with the stars, out takes, deleted scenes, and more. Strong first season. I’m greatly looking forward to watching this exhibit thrive and burgeon into big-name area.

CASTLE is one hell of an gripping fragment of light, fluffy cop television. It’s the perfect antidote to those who are wallowing in the dusky sewers of cop shows like LAW AND ORDER SVU or CRIMINAL INTENT or the shiny but shameful THE SHIELD. Creator Andrew Marlowe, perhaps best known as the screenwriter for AIR FORCE ONE, has created a very breezy and incredibly fun cop display that’s indispensable purpose is to counter the altogether too intense police procedurals that the public seems to inhale like cigarette smoke (you know it’s not proper for you, but you can’t back it) . He’s also added the perfect actor for a present like this: Nathan Fillion. Many people weren’t familiar with Fillion’s work until he became a cast member of the horrifically unpleasant DESPERATE HOUSEWIVES, but before that, he was a key player in what’s known as The Whedonverse, starring in the all-too shortlived FIREFLY and also guest-starring in the final season of BUFFY THE VAMPIRE SLAYER. He was also featured in one of Whedon’s more unusual and shining creations, DR. HORRIBLE’S SING-ALONG BLOG, where he wonderfully plays a shallow, over-confident superhero. He also appeared in another VERY shortlived Fox television note called DRIVE, which was sever down before it could arrive its potential. He’s been featured in films like the FIREFLY sorta-sequel SERENITY, a unbelievable indie splattergore comedy called Spin, and some gloomy direct-to-DVD fare like WATER’S EDGE and WHITE NOISE 2: THE LIGHT. But as he proved with FIREFLY, he has more than enough talent and charisma to carry a explain on his fill if significant (even though it wasn’t critical with how gargantuan FIREFLY was) .

And that’s very remarkable the case with CASTLE. As mystery writer Richard Castle, this is his explain. Despite some strong supporting performances by actors like Susan Sullivan, who plays his flamboyant, vibrant, and at times, annoying mother, and a sometimes over-her-head Stana Katic as his professional and personal foil, NYPD Detective Kate Beckett, this point to and everything tremendous about it is planted rightly and firmly on the charm and talent of Fillion.

Buy,Download, Or Stream Castle: The Complete First Season! Click Here

The demonstrate is very considerable in the vein of a program like MOONLIGHTING, pitting the goofy yet irrestistably charming lothario against the by-the-book, stalwart, luminous and sassy and undeniably sexy-but-sexless woman as the two of them salvage into one wild adventure after another. The thing about this point to that gives it perhaps an even stronger gain than a demonstrate of this type should is that it has a specific “mythology” arc that will carry it for at least another season; namely the unsolved cancel of Beckett’s mother, and Castle’s determination to solve it, even if it means that he will lose a friend and potential like interest in Beckett.

So I say bring on Season Two, and continue the tone that the reveal has given us, and don’t let it conform to what the “hitmakers” explore trending with the too-upsetting cop shows. Sustain it easy breezy. And hopefully the prove will procure the audience it deserves, and Fillion will rep more of the opportunities he deserves.
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