“Waste Bill” is an anomaly in today’s Hollywood culture. Here is a movie that neither makes you consider too hard nor tears at you heartstrings–and it is a truly fine flick. Under the shrewd (and possibly insane) hands of Quentin Tarantino, “Demolish Bill” details an ultrally brutal and even more emotionally statisfying quest for revenge.

Beat to a bloody pulp and shot in the head and left for tiresome at her wedding day, The Bride (Uma Thurman, whose name is never revealed) is carted away in a four-year-long coma. She wakes up and vows revenge. And, oh, does Thurman play revenge well. It seems that the supporting cast (Lucy Lui, Vivica A. Fox, among others) truly beat Thurman to the edge of death. Her eyes bid her emotion–the dinky and brief dialogue isn’t even principal. She is surpremely convincing in every aspect of her performance, even throughout the amazingly stylish fight sequences (which set aside “The Matrix” to shame) . She fights like a pro with samurai swords, lethal daggers, butcher knives, and frying pans.

One of the main draws to this redefining adventure is the hilarious subject matter. Tarantino goes overboard. Blood flies about like fruit punch, gushing out of wounds like a torrential downpour (sometimes, in fact, you will even wonder if the human body has that great blood), and in any other movie, that gore would force you to leave–but here, it doesn’t. Why? Because Tarantino never takes himself too seriously. Fight scenes are punctuated with effective and sometimes comic dialogue. But beneath the hokey action scenes and the cute quips, there is a true movie at work here. Tarantino dances about the timeline, bouncing the legend assist and forth to a dizzying point, which forces your burly attention on the gradually unfolding general tale. The cliffhanger ending merely seals the deal.

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“Destroy Bill” deserves all of the accolades it gets. Although it may seem to be a hackfest on the surface, there is fair talent at work here. Uma Thurman and Lucy Lui give absorbing performances; the yarn, however linear it may be, it instantly grabbing; and Tarantino’s masterful direction is as inspiringly as it is slightly distubring. A apt masterpiece. One of the films to beat for 2003.

Don’t accept me wrong: I liked the movie a lot. But this is a skimpy DVD and colorful how Miramax works, unbiased the first of several editions. If you believe off buying this one and attach the money aside, I’m obvious you’ll have opportunities to catch Vol. 1 and Vol. 2 together for a lower trace – or the rumored Extinguish Bill: Director’s Slice that will expose it as one 3-hour movie. Those later editions will likely have all the extras – this one doesn’t behold like it has worthy. As someone who’s been burned by Miramax’s DVD practices before, I unbiased want to offer you a warning. Be patient – and you’ll be rewarded later.
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